Composition and meaning Ĭorpus Hypercubus is painted in oil on canvas, and its dimensions are 194.3 cm × 123.8 cm (76.5 in x 48.75 in). Juan de Herrera's Treatise on Cubic Forms was particularly influential to Dalí. Before painting Corpus Hypercubus, Dalí announced his intention to portray an exploding Christ using both classical painting techniques along with the motif of the cube, and he declared that "this painting will be the great metaphysical work of summer". That same year, to promote nuclear mysticism and explain the "return to spiritual classicism movement" in modern art, he traveled throughout the United States giving lectures. The atomic bombing at the end of World War II left a lasting impression his 1951 essay "Mystical Manifesto" introduced an art theory he called "nuclear mysticism" that combined his interests in Catholicism, mathematics, science, and Catalan culture in an effort to reestablish classical values and techniques, which he extensively utilized in Corpus Hypercubus. It is one of his best-known paintings from the later period of his career.ĭuring the 1940s and 1950s Dalí's interest in traditional surrealism diminished and he became fascinated with nuclear science, feeling that "thenceforth, the atom was favorite food for thought". A nontraditional, surrealist portrayal of the Crucifixion, it depicts Christ on a polyhedron net of a tesseract (hypercube). Metropolitan Museum of Art, New York CityĬrucifixion (Corpus Hypercubus) is a 1954 oil-on-canvas painting by Salvador Dalí. JSTOR ( October 2016) ( Learn how and when to remove this template message).Unsourced material may be challenged and removed.įind sources: "Crucifixion" Corpus Hypercubus – news Please help improve this article by adding citations to reliable sources. This article needs additional citations for verification.
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